Posts Tagged ‘The Mars Volta’
Thursday, December 31st, 2009

Like most people, I didn’t exactly have the best taste of music right away. In fact it took a better part of this decade to figure out I needed to re-evaluate my tastes. I had to let go of my safety harnesses and start listening to music that wasn’t in my comfort zone. A decade ago I was 16 yrs old…so back then I was listening to angry rock music and angry techno music. Basically I was listening to nothing but Deftones and Aphex Twin. While both amazing, no one can live solely on cheeseburgers and fries (as much as we’d like to). Once I moved from my suburban hometown, I was introduced to artists and bands that spoke to me in ways I had never imagined. I bought endless back catalogs, practically lived in used CD stores, and discovered the joy of listening to music on vinyl. I found that the internet is an equally amazing tool to discover music as going to shows on a regular basis (also cheaper). This decade I found that I loved music so much that I wanted to tell everyone in world about what I had found. I created a website for friends to read, so that when they asked me about a band I liked I could refer them to it. The website turned into something way bigger than I ever expected. I’ve interviewed heroes of mine, gotten on guest lists of concert I would have payed twice the amount for, and more importantly, I’ve made good friends with people with amazing tastes in music. So here I am, telling you the albums that shaped my tastes over the years. I hope you enjoy and listen to these if you can. Lets hope for another amazing decade in music….
26. Minus The Bear – Highly Refined Pirates
- Release Date: November 19, 2002
- Label: Suicide Squeeze

“And then we all bought yachts!” That’s what this album opens with; a hope for adventure and probably and endless income. I’ve always been a fan of math rock and perfected time signatures but I never thought it would morph into something as fun as this. If I could pick one album to be the soundtrack of a roadtrip it would be Highly Refined Pirates. Minus the Bear have since been perfecting that danceable and unique atmospheric rock sound their known for, but they have yet to even come close to the blue sky soundscapes and joyful lyrics (not to mention their ridiculously awesome track titles) of Highly Refined Pirates.
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[mp3] Minus The Bear– Absinthe Party at the Fly Honey Warehouse from Highly Refined Pirates (2002)
25. Stars of the Lid – And Their Refinement of the Decline
- Release Date: April 7, 2007
- Number of Discs: 2
- Label: Kranky

I love film soundtracks and have since started listening to them again (Vangelis’ Bladerunner Soundtrack = amazing). So when I finally picked up Stars of the Lid’s And Their Refinement of the Decline, I was drowned in ambient movements that were the musical equivalent of trekking through a snow capped mountain side. The music is epic yet relaxing and requires the listener to release themselves from the world around them. However, the one track that really stuck out for me was Humectez La Mouture. The track samples from the 1986 French film Betty Blue (37°2 le matin) set a creepy atmosphere and it drones on like a foggy afternoon in a post apocalyptic landscape. It’s very moving and releases so many emotions in five minutes and thirty one seconds. Ambient music is very difficult to perfect and I think Stars of the Lid have gone beyond that and have become the genre’s Miles Davis.
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[mp3] Stars of the Lid – Dungtitled (In A Major) from And Their Refinement of the Decline Disc 1 (2007)
24. Cage – Hell’s Winter
- Release Date: September 20, 2005
- Label: Definitive Jux

Of all the hip-hop albums released this year, Cage’s Hell’s Winter was not the best, it was however, my favorite hip-hop album of the decade. It’s mainly because this album is very personal and does not hold anything back. With production by mentor El-P, RJD2 and Blockhead and guest appearances by Jello Biafra, DJ Shadow, Aesop Rock, Daryl Palumbo (Glassjaw), James McNew (Yo La Tengo) and the late great Camu Tao, the album is a star studded and disturbing view into a man that has been through some pretty tough shit. While the album is lyrically troubling, it is equally fun to listen to.
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[mp3] Cage – Perfect World from Hell’s Winter (2005)
23. Bon Iver – For Emma, Forever Ago
- Release Date: February 19, 2008
- Label: Jagjaguwar

I threw this album up as #10 on my Best Albums of 2008 last year. In retrospect, it should have been #2 (you’ll see what should have been #1). After carefully listening to this one for the past two years, For Emma has become one of the most important albums of not only the decade, but for me as well. It’s fragile nature and depth of loneliness was easy to relate to and reminded me of those cold New England nights I missed so much. Justin Veron’s voice represents what I love about emotionally charged solo musicians; it’s raw and a heart-achingly gorgeous record that sets the standard for delicate acoustic music.
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[mp3] Bon Iver – Skinny Love from For Emma, Forever Ago (2008)
22. The Decemberists – Her Majesty
- Release Date: September 9, 2003
- Label: Kill Rock Stars

This album was the soundtrack to my long drive to work in Maine. It’s whimsical lyrics and charming folk rock arrangements still make Her Majesty my favorite Decemberists album. While it was hard to pick a favorite Decemberists album (I love them all), this one holds a special place in my heart. When I tried to name off my favorite Decemberist songs (The Gymnast, High Above the Ground, The Soldiering Life, I Was Meant for the Stage), it became clear that Her Majesty was number one. It speaks off camaraderie, leaving someplace you love, and discovering exotic territory; lead singer Colin Meloy describes it all with intricate detail and soothing delivery.
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[mp3] The Decemberists – The Gymnast, High Above the Ground from Her Majesty (2003)
21. M.I.A. – Arular
- Release Date: May 17, 2005
- Label: Interscope Records

Hated and loved by many, M.I.A. is undeniably talented. Before the Boyz and the Paper Planes, there was the masterpiece that is Arular. I can safely say that urban beats and politically charged lyrics never sounded so good. Arular is as ridiculously fun as it is ridiculously weird, but that’s why it’s such a perfect dance record. It was different from anything I had ever heard and I found joy in looking at people’s faces when I forced them listen to it. Arular is now the blueprint for 21st century hip-hop and will be constantly referenced as an influence throughout the genres exciting evolution.
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[mp3] M.I.A. – Fire Fire from Arular (2005)
20. Shearwater – Rook

Remember when I said Bon Iver should have been #2 on my Best of 2008 list? Well, meet #1. If this year could highlight one band that I was unabashedly obsessed with, it was Shearwater. Rook’s heavy atmosphere and crushing instrumentation makes the record such an onslaught on the senses and a viciously haunting journey. Thanks to singer/ornithologist/ex-Okkervil River keyboard player Jonathan Meiburg, the album’s bleak visuals come alive with his crooning and Nick Cave-influenced bellow. Rook is a cinematic masterpiece that is hypnotizing on execution.
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[mp3] Shearwater – Leviathan, Bound from Rook (2008)
19. DJ Shadow – Private Press
- Release Date: June 4, 2002
- Label: MCA

From what I know, this supposedly angered people being that it wasn’t Entroducing 2. It isn’t exactly influential or remotely groundbreaking for electronic music. It is also easily his most accessible record. However, Private Press is massive, gorgeous, and humorous record. This record for me was a stress reliever and a relaxing yet fun work of art from one of the most respected and loved electronic artists. His imagination is translated onto the turntables and fiercely rocketed back to the listener.
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Dj Shadow - Giving Up The Ghost from Private Press (2002)
18. At The Drive-In – Relationship of Command
- Release Date: September 12, 2000
- Label: Virgin Records US

Once I hit the age of 18, I was done with punk music and disgusted with the mediocrity of what eventually became a plague of nu-metal bands. I needed something angry and revolutionary. I needed Relationship of Command. This flying side-kick to the throat of a record was worn out my the end of my senior year of high school and I had to eventually buy it again just to keep up with my high demand of pulsating post-hardcore punk rock. The song One Armed Scissor became the theme of my departure from adolescence and the will forever be known as the record that lifted me out of the boring genre of modern rock.
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[mp3] At The Drive-In – Sleepwalk Capsules from Relationship of Command (2000)
17. Saul Williams – Saul Williams
- Release Date: September 21, 2004
- Label: Fader Label

You can try to classify his music but you’ll just end up in circle. Each album he creates is a vicious attack on system and our sad state of entertainment and his self titled sophomore effort is no exception. With borderline industrial beats, a Prince-like confidence, and a razer sharp delivery of Chuck D from Public Enemy, Saul Williams instantly became not only one of my favorite musicians but a personal hero of mine. Whether it was speaking about the current state of hip-hop, sexual awakening, or the our inevitable self destruction, Saul made an album that is both inspiring and entertaining.
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[mp3] Saul Williams – African Student Movement from Saul Williams (2004)
16. The Album Leaf – In A Safe Place
- Release Date: June 22, 2004
- Label: Sub Pop

The chilling and beautiful work of The Album Leaf is flawlessly displayed on his 2004 album, In A Safe Place. With the addition of vocals, In A Safe Place became a more personal record than previous efforts. Featuring vocals by The Black Heart Procession’s Paul Jenkins, Sigur Ros’ Jon Thor Birgisson, and Jimmy LaValle himself, tracks like Over the Pond and On Your Way come alive. In A Safe Place is meant to be listened to in a window seat on a plane hovering over the morphing Mid-West landscape. What are you waiting for? Get your ticket!
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[mp3] The Album Leaf – Over The Pond from In A Safe Place (2004)
15. Cursive – The Ugly Organ

The brilliant concept and utter intensity of this record have been constantly referenced and replicated yet no one has even come close to it. Tim Kasher’s self-loathing, tortured artist persona (?) on Ugly Organ mirrored the sacrifices that so many artists have gone through and still battle. The crushing guitars, moving cello (a welcome and missed addition), and fragile melodies went past their typical emo tag and transcended into an album that became the traveling artist’s guide to “be careful what you wish for.” I still like to rock out to this album and will continue to return to it’s magic for a long time coming.
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[mp3] Cursive – The Recluse from The Ugly Organ (2004)
14. Jeremy Enigk – World Waits
- Release Date: October 16, 2006
- Label: Reincarnate Music

This may confuse anyone that has been a fan of Sunny Day Real Estate and Jeremy Enigk. Mainly because this album at times seems overly dramatic and meaningful. Funny; because that may be why I like it. The album speaks of forgiveness, rebirth, and letting go so eloquently and effortlessly all thanks to the Peter Gabriel/Phil Collins vocal style of Enigk and it’s chamber pop atmospheric instrumentation. This album entered my life in a time where I needed guidance and a voice to assist me in surviving the day-to-day. The very sound of World Waits still chokes me up and the crushing piano in Canons still reminds me of the feelings I felt when I was at my lowest. The is Enigk’s masterpiece in my eyes and I can’t thank him enough.
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[mp3] Jeremy Enigk – World Waits from World Waits (2006)
13. Explosions in the Sky – The Earth Is Not a Cold Dead Place
- Release Date: November 4, 2003
- Label: Temporary Residence

The grandeur of this record is undeniable. No wonder the filmmakers of Friday Night Lights wanted to feature the very music from Earth Is Not A Cold Dead Place to represent the weight and atmosphere of a West Texan high school football team’s journey to state champion. Consisting of only 5-tracks, Explosions’ second album is nothing short of breathtaking. With bands like Mogwai and Godspeed You Black Emperor! dominating the instrumental music genre, this album came along and crushed everything anyone ever knew about orchestrated rock music. There are two kinds of instrumental music right now. Instrumental music before this record and instrumental music after this record. It will take a lot to change that.
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[mp3] Explosions in the Sky – Your Hand in Mine from The Earth Is Not a Cold Dead Place (2003)
12. dredg – Leitmotif
- Release Date: September 11, 2001
- Label: Interscope Records

While people were gushing over how much Tool was changing the landscape of modern rock music, dredg already had them beat. Instead of mastering their masculinity, dredg built their debut record from the ground up with layer upon layer of full out tribal progressive rock music. Subtle, thoughtful, sober, they’re a far cry from anything that had come out at the time. The concept is equally fascinating; the story focuses on a man visited by a spirit who tells him he has a moral disease and must travel the world on a quest for higher spirituality. If he succeeds, he will evolve; if he fails, he will die. Ultimately, the character learns to put faith in the religion found in the spiritual awakening of humankind, rather than buy into the religion of commerce and greed. The result of Leitmotif’s exploratory, experimental union of music and text is a mystical sound odyssey [1].
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[mp3] dredg – Traversing Through the Arctic Cold We Search for the Spirit of Yuta from Leitmotif (2001)
11. Radiohead – Kid A
- Release Date: October 3, 2000
- Label: Capitol

Where to begin? If any record could represent the progression of all types of intelligent and sophisticated music in the beginning the new millennium, it is Radiohead’s Kid A. Thom Yorke was no longer known as the band’s tortured soul of a frontman, but as an instrument in a whirlwind of electronic soundscapes and mountain size songs. How can a band reinvent themselves so eloquently and drastically over and over and still remain one of the best bands in the world? When this album was released, nothing even remotely sounded like it, forcing listeners to surrender to it’s genius. It still stands as one of the most influential records of all time and one I will admire forever.
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Radiohead – How to Disappear Completely from Kid A (2000)
10. The Arcade Fire – Funeral
- Release Date: September 14, 2004
- Label: Merge Records

I feel like a kid again whenever I hear this record. It’s innocence and blind love for adventure is as admirable as the album’s lush dreamscapes and romantic arrangements. Listening to Funeral is like entering another realm where freedom of expression is not an idealistic fantasy, but a sweet reality. If I ever feel pessimistic or depressed, this record is like a best friend telling me exactly what I need to hear. Plus they created the blueprint to ‘popular indie music’ and everyone else is trying to catch up.
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[mp3] The Arcade Fire – Une Annee Sans Lumiere from Funeral (2004)
9. Radiohead – In Rainbows
- Release Date: January 1, 2008
- Label: Ato Records / Red

Not only will the distribution method go down in history, but the record is proof that bands cannot be washed up as long as they never lose the spirit of why they love playing music in the first place. Just as Kid A was a revolutionary step toward modern experimental electronic music, In Rainbows was a step toward accessibly creating moving and inviting electronic rock music. While less experimental than previous records and more daring than some predicated, the album was simple and haunting in execution. Tracks like Reckoner, House of Cards, and All I Need remain some of my favorite songs of all time and reach a level of artistic perfection that will be difficult to match in the coming future.
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[mp3] Radiohead – All I Need from In Rainbows (2008)
8. Sean Hayes – Alabama Chicken
- Release Date: September 8, 2003
- Label: Self Released

When you listen to the first track off Alabama Chicken, it is required that you close your eyes and imagine a moonlit field with fireflies swarming around you. For the next track, a sunrise drive in the back of an old truck with an overweight dog and a few fishing poles. You get the idea. Each track from Sean Hayes’ Alabama Chicken is an accurate soundtrack to laid back country life and Northern California landscapes. My discovery of Sean came through a late Jolie Holland (a guest on the album) show in mid-2005 at the Great American Music Hall. I was mesmerized by his naturally earthy voice and his closeness with rhythm and melody. From the sunny slow drive of Diamond in the Sun to the outdoor dance tune Rattlesnake Charm (Dream Machine), Alabama Chicken is a record that relaxes the soul. Let go and listen.
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[mp3] Sean Hayes – Diamond in the Sun from Alabama Chicken (2003)
7. Sufjan Stevens – Illinois
- Release Date: July 5, 2005
- Label: Asthmatic Kitty

This enormous record is an exhausting listen and even frightening that one person could create such a monumental album. The unmistakable instrumentation, charming choruses, fragile voice, and immensely complex arrangements surround Illinois and make it one of the most admirable records of the decade. It was a symbol of the lack of limitations you had to make an addictive record. Cynics called the album gimmicky, utter hipster trash, long, weird, and kind of wussy. But it is without a doubt one of the most gorgeous records of all time.
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[mp3] Sufjan Stevens – Chicago from Illinois (2005)
6. The Mars Volta – De-Loused in the Comatorium
- Release Date: June 24, 2003
- Label: Umvd Labels

As an obvious fan of At The Drive-In, I was devastated when the band called it quits and went their separate ways. So when I found myself at a special listening party at the Museum of Science in Boston, seated in their famous Charles Hayden Planetarium to hear De-Loused in the Comatorium a week before it’s release, I honestly had doubts. Until the lights dimmed and the music started. I left the building that day a changed man. I felt every Bad Brains, Floyd and Zeppelin album I loved destroyed and molded into a juggernaut of a record. The monstrous drums, the perfected time signatures, and it’s universe of jagged funk intensity still lives as fresh as it did the day I first listened to it. I don’t have many records I can listen to on repeat for months on end. They have yet to replicate the epic nature of this record (probably because they stopped doing drugs), but at least it still translates well live.
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[mp3] The Mars Volta – Drunkship of Lanterns from De-Loused in the Comatorium (2003)
5. onelinedrawing – Visitor
- Release Date: May 14, 2002
- Label: Jade Tree

Jonah Matranga is a complex human being. That may be quite an understatement but with dozens of bands, records, and brilliant and inane ideas, Jonah seems to never stop moving. However, of all his projects though, Jonah struck gold with his most personal and free spirited record of his seemingly endless career. Visitor tugs at the heart and at the same time lifts you up all with a short 40 minutes. The is heartfelt songwriting at it’s best; aerial, graceful, and intensely emotional. His voice echoes across bedroom walls and into ears that know betrayal, loss, lust, and joy in something as simple as a smile.
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[mp3] onelinedrawing– Softbelly from Visitor (2002)
4. The One AM Radio – A Name Writ In Water
- Release Date: April 19, 2004
- Label: Level Plane

I found out about One AM Radio in a pretty interesting way. It was a cold day at a Boston University coffee-shop and this skinny jeaned hipster-zilla making cappuccinos put on A Name Writ In Water and I did something I hadn’t normally done at that time, I asked him who he was playing. Since then, the album has become one of my favorites, due to it’s melancholy and gray atmospheric beats. Hrishikesh Hirway knows he emotion of leave-less trees and abandoned buildings. He knows how to represent tranquility with vocal harmonies, carefully plucked guitars, and Brain Eno simplicity. This album is must be heard during a rainy drive through forests of New Hampshire or on a deck watching a passing thunderstorm. Nice headphones required.
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[mp3] The One AM Radio – Untied from A Name Writ In Water (2004)
3. Sigur Rós – Ágætis Byrjun
- Release Date: May 22, 2000 (Reissued)
- Label: Play It Again Sam

Think about it, have you ever heard anything like this album? Ágætis Byrjun is like some sort of alien-like transmission to Earth, letting us know they come in peace. It’s disarming and otherworldly sound blooms with full orchestras, deeply ambient soundscapes and angelic vocals from frontman Jon Por Birgisson singing in a language that Sigur Rós dub “Hopelandic”–an otherworldly mutation of Icelandic. When playing guitar with a violin bow was out of this world and groundbreaking, Sigur Rós captured the hearts of legions of music lovers with this majestic and hope filled album.
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[mp3] Sigur Rós – Starálfur from Ágætis Byrjun (2000)
2. dredg – El Cielo
- Release Date: October 8, 2002
- Label: Interscope Records

Unfairly underrated, El Cielo is a moving masterpiece that flows together gracefully and takes off with epic grandeur. Repeatedly layered with a plethora of instruments and jazz-like drumming, El Cielo accurately presents the soundtrack to sleep paralysis and lucid dreaming. The concept of the album follows the theory of dreaming and the subconscious; like what is more real? Our dream-state or when we are ‘awake’? Inspired by the Salvador Dali painting, Dream Caused By The Flight Of A Bee Around A Pomegranate One Second Before Awakening, the album does an excellent job at representing the chaos and confusion of the piece. It’s whirling guitar work mixed with organs, crackling tape, echoing vocals, and calming instrumental interludes, dredg’s sophomore effort is by far their best work yet and a chillingly beautiful record.
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[mp3] dredg – Whoa Is Me from El Cielo (2002)
1. Björk – Vespertine
- Release Date: August 28, 2001
- Label: Elektra

What did you expect? The freaking website is named after a Björk song! This album completely threw me off and became the only record to ever get me choked up. Björk herself is already an elemental being in the world of music, so when she decided to make her most personal record to date, it was no surprise that what came out of it was an album alive with emotion and deep intimacy. Enlisting the work of the likes of Matmos, jazz composer/arranger Vince Mendoza, and harp virtuoso Zeena Parkins, Vespertine became a rich and oceanic record that pushed the boundaries of both electronic and pop music. You can feel the snow blowing through your clothes with Aurora, the unconditional love of Harm Of Will, and the will to sacrifice with my favorite love song (EVER!) Unison. Björk showed me another world of music that I never knew existed. Her voice carried me out off my little bubble of a mind and showed me how passionate a musician can be and what it’s like to translate that flawlessly on a record. I love this album so much and it is my favorite of the decade.
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[mp3] Björk – Sun In My Mouth from Vespertine (2001)
Tags: 2000-2009, Album Leaf, At The Drive-In, best albums of the decade, Björk, Bon Iver, cage, Cursive, Dj Shadow, dredg, Explosions in the Sky, Favorite Albums of the Decade, Jeremy Enigk, M.I.A., minus the bear, onelinedrawing, radiohead, Saul Williams, sean hayes, Shearwater, sigur rós, stars of the lid, sufjan stevens, The Arcade Fire, the decemberists, The Mars Volta, The One AM Radio
Posted in Favorite Albums of the Decade, Music | 5 Comments »
Wednesday, December 16th, 2009
There’s a distinct difference between ‘best albums of the year’ and ‘favorite albums of the year.’ Who am I to say what is the ‘best’ album? What makes an album better than the other? You’ve probably already figured out that I’m trying to say that music taste is subjective. The past 12 months have probably been one of the better years in music in a while. There were albums that defined genres (Merriweather Post Pavilion), albums that reinvented the bands sound (The Hazards of Love), albums that majorly disappointed (Mama, I’m Swollen), and albums that became a sign of what’s to come with ‘popular’ music (Twilight New Moon: Soundtrack).It’s time to break down the albums that rocked me this fine year.
Click on the album art to purchase the album:
50. Yeah Yeah Yeahs – It’s Blitz!

They have redeemed themselves and returned with a more fun vibe that we all knew was coming.
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Yeah Yeah Yeahs- Dull Life from It’s Blitz! (2009)
49. J. Tillman – Vacilando Territory Blues

The sounds of a wet and foggy forest were perfectly captured and projected with J. Tillman’s most vulnerable record to date. Country-side driving will never be the same.
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[mp3] J. Tillman – Vessels from Vacilando Territory Blues (2009)
48. Band of Skulls – Baby Darling Doll Face Honey

I found myself rocking pretty hard in the car alone to this amazing rock and roll record. Oozing sexuality and a pent-up frustration to destroy. One the most fun records of the year.
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[mp3] Band of Skulls – Blood from Baby Darling Doll Face Honey (2009)
47. Neko Case – Middle Cyclone

Besides having one of the most bad-ass covers of all time, Neko Case created a hurricane of an album that will carry you away in her embrace. Let her take you.
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Neko Case – This Tornado Loves You from Middle Cyclone (2009)
46. The Mars Volta – Octahedron

Could it be that I have a hard-on for The Mars Volta? Probably. But after a handful of songs and records that made me wonder what the fuck they were doing, finally The Mars Volta mixes their bizarre nature and progressive sound and makes something substantial. A grower, but boy does it grow into something amazing.
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The Mars Volta - Teflon from Octahedron (2009)
45. Iron & Wine – Around the Well

Sure most of these songs were recorded years ago, but this compilation from Sam Beam were meant to be released this way. It flows just like a normal Iron & Wine album should…subtle and sweet.
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[mp3] Iron & Wine – Waitin’ for a Superman from Around the Well Disc 1 (2009)
44. Passion Pit – Manners

BOOM! This album made remixers piss themselves in delight and put Boston back on the map as one of the premiere spots for good music that gets you moving.
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Passion Pit – Moth’s Wings from Manners (2009)
43. Foreign Born – Person To Person

If my drive along the Northern Pacific Coastline had an official soundtrack, Person To Person would be it. The harmonies and swirling guitars along with the Walkmen-like vocals and lyrics is just a taste of what this brilliant album has to offer.
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[mp3] Foreign Born – Early Warnings from Person to Person (2009)
42. Raekwon – Only Built For Cuban Linx, Pt. II

Turn it up and make the world know that we all need is more Wu. Flows like this haven’t been heard in years, it’s been a long time coming.
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Raekwon – New Wu Ft Ghostface Method Man from Only Built 4 Cuban Linx PT II (2009)
41. The Decemberists – The Hazards of Love

I hated this record to no end when I first heard it. I missed my Decemberists. It was only after a few more full listens that I realized that they belong to no one and that this may be the Decemberists that was meant to be. You know what? I’m fine with that.
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[mp3] The Decemberists - The Rake’s Song from The Hazards of Love (2009)
40. Message to Bears – Departures

Multi-instrumentalist Jerome Alexander’s Departures is a series of bittersweet articulations that seem suspended somewhere between a certain dreamy sense of wonder and awe and a heavy melancholia. It’s a haunting piece of work. Listen carefully.
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[mp3] Message to Bears – At the Top of This Hill from Departures (2009)
39. Akron/Family – Set ‘Em Wild, Set ‘Em Free

This actually might be their best and most accessible record to date. The experimental folk group brought in all the stops and made the feel-good record of the year.
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[mp3] Akron/Family – River from Set’em Wild, Set’em Free (2009)
38. Russian Circles – Geneva

Someone told me, “You won’t see it coming, this record melts your face and freaks you out all within an hour.” He couldn’t be more right. It goes from hauntingly intense to magnificent beauty to uncharted territory for a group known to shred your ears to pieces.
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[mp3] Russian Circles – Malko from Geneva (2009)
37. Wilco – Wilco (The Album)

A charming record that may not get the appreciation it deserves. The songwriting is as solid as it usually is from Tweedy and the tongue-in-check manner of delivery remains intact. This was just their ‘entertainment’ record and boy did they hit their mark.
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Wilco – Deeper Down from Wilco (The Album) (2009)
36. Dan Deacon – Bromst

A strobe light of colors and manic sound that solidifies Dan Deacon as the king of spastic, high energy dance music. Hidden in this insane finger-painting of a record gone mad, is a layered and perfected album. All hail the king!
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Dan Deacon – Woof Woof from Bromst (2009)
35. Cymbals Eat Guitars – Why There Are Mountains

Oh yes, I was so happy to hear that beautiful 90s alt-punk throwback sound. If they had come out a decade an a half earlier, they would be know as genre defining geniuses. However, they are stuck here in the 21st century and forced to remind us that simple and loud music used to be enough for us. [See early Modest Mouse / Diary-era Sunny Day Real Estate]
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Cymbals Eat Guitars – And the Hazy Sea from Why There Are Mountains (2009)
34. The Swell Season – Strict Joy

I was afraid they were going to piss this album away into Once Part II. Phhhh, I should have known better, These people know what they’re doing. Strict Joy is just as touching as their last, but in a different sense.
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The Swell Season – The Rain from Strict Joy (2009)
33. Irepress – Sol Eye Sea I

Okay, bizarre artwork aside [four armed purple ping-pong monster?], this record is the shit. Heavy and drastically unique, Sol Eye Sea I is a brutal rocket launch on the senses. Pushing and pulling with pure metal complexity. So awesome.
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[mp3] Irepress – Rhintu from Sol Eye Sea I (2009)
32. The xx – XX

Probably the one of the most overhyped records of the year. Although, this is all for good reason. The intro to the record is actually my favorite of all time. Yes, of all time. The chill atmosphere with male/female vocals in this R&B / new wave manner caught me off guard. Thank God for that.
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[mp3] The XX – Crystalised from XX (2009)
31. Why? – Eskimo Snow

Yoni Wolf goes Americana psych-folk? Sure! Why not? Everything this guy touches is gold anyway. Each song is a detailed story that doesn’t leave the listener one bit disappointed. While not a good ‘entry’ album, Eskimo Snow might be Yoni’s greatest songwriting achievement.
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[mp3] Why? – This Blackest Purse from Eskimo Snow (2009)
30. dredg – The Pariah, The Parrot, The Delusion

Fans of the band were divided and I’m still not totally sure what happened with this album. However, dredg is undeniably comfortable with this new direction they’re heading toward. I had to step back a few times and realize that one needs to let go in order to enjoy this album. PPD is a long, intricate and personal record; listen carefully.
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dredg – Pariah from The Pariah, The Parrot, The Delusion (2009)
29. Volcano Choir – Unmap

I did not see this coming from Bon Iver’s Justin Vernon. Layered with painstaking detail and emotional prowess, Unmap may be too much for some people. For me, it was just right.
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[mp3] Volcano Choir – Island, IS from Unmap (2009)
28. Bibio – Ambivalence Avenue

I love how colorful and blinding this album gets at times. I am immediately reminded of Boards of Canada, but more upbeat and cartoonish. I thought I knew this record before I wore some nice headphones…boy was I wrong.
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Bibio – Fire Ant from Ambivalence Avenue (2009)
27. Noah And The Whale – The First Days Of Spring

I usually dislike ‘break-up’ records when I’m no longer going through times like that. But this is beyond your normal story of woe-is-me heartbreak sob story. This an entertaining story that forces the listener to care about the ‘character’ involved in this story. The lush percussion, carefully picked guitars, and string arrangements briskly guide the listener to feel loneliness, hope, and rebirth. An amazing achievement of a record.
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[mp3] Noah And The Whale – Blue Skies from The First Days Of Spring (2009)
26. Various Artists – Dark Was The Night

Dark Was The Night, the best indie music compilation ever, was produced by Aaron and Bryce Dessner of The National and founder of the Red Hot Organization John Carlin. 31 exclusive tracks graces this record from Bon Iver to Spoon, Sufjan Stevens to Arcade Fire. In addition, the double cd/triple viny helped benefit the Red Hot Organization – an international charity dedicated to raising funds and awareness for HIV and AIDS.
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Grizzly Bear and Feist – Service Bell from Dark Was The Night (Disc 1) (2009)
Tags: Akron/Family, albums of 2009, albums of the year, Band of Skulls, Bibio, Cymbals Eat Guitars, dan deacon, dark was the night, dredg, Favorite Albums of 2009, Foreign Born, Grizzly Bear and Feist, irepress, iron & wine, J. Tillman, Message to Bears, Neko Case, Noah and The Whale, Passion Pit, Raekwon, Russian Circles, the decemberists, The Mars Volta, The Swell Season, The XX, Volcano Choir, Why?, wilco, Yeah Yeah Yeahs
Posted in Favorites of 2009, Music | 2 Comments »
Monday, November 16th, 2009

After researching them due to their involvement in opening for acts like The Album Leaf, dredg, and Busdriver; El Paso, Texas’ Zechs Marquise has colored me impressed with their progressive indie-rock instrumentals and spastic live performances. Featuring multi-instrumentalist Marcel Rodriguez-Lopez (who also plays in The Mars Volta) and bassist Marfred Rodriguez-Lopez, both siblings to legendary guitarist Omar Rodriguez-Lopez, the band obviously resembles The Mars Volta’s signature expensive tunes with experimental guitar work. Their 15-track debut album Our Delicate Stranded Nightmare was released August 25th through Rodriguez Lopez Productions and has received much attention from the progressive rock fan base.
Stream the entire album HERE.
ZECHS MARQUISE w/ FREE MORAL AGENTS TOUR:
Nov 16- Mixtapes – East Moline, IL
Nov 17 – Bourbon Theater – Lincoln, NE
Nov 18 – Old Curtis Tavern – Denver, CO
Nov 19 – High Mayhem – Santa Fe, NM
Zechs Marquise –
Chase Scene from Our Delicate Stranded Nightmare (2009)
Tags: Marcel Rodriguez-Lopez, Our Delicate Stranded Nightmare, Rodriguez Lopez Productions, The Mars Volta, Zechs Marquise
Posted in General, Music | No Comments »
Sunday, August 30th, 2009

I entered the Outside Lands Festival grounds a bit peeved. See when you try to find a spot at the Lands End stage (Main Stage), people have already claimed seven or more spots with a God damn blanket and their huge lawn chairs (which I thought were banned). So here I am walking on people’s blankets and they’re giving me these dirty looks like I just pooed in their soup. Hey man, you decided to call property on six square feet of lawn and you expect me to tip-toe around your shit? I don’t fuckin’ think so.

Anyway, after pissing off people I could care less about, I caught Zion I perform a moderately fun set. After all it was noon, how much rockin’ can one do? A lot actually, the crowd was pretty into them despite the fact it was majorly filled with camped out Dave Matthews Band fans at the average age of 40 years old. Zion I played mostly new tracks off their new album, The Takeover but I got what I wanted when they performed songs off 2005’s True & Livin‘. Things got crazier when the Oakland’s original ghost rider Mistah F.A.B. showed up to help out with a few songs. A good way to start the day.
Zion I –
Doin’ My Thang from True & Livin’ (2005)

I wondered around for an hour and camped in front of the Panhandle Stage to catch Portugal. The Man. While I waited I got to see afro-rock group Extra Golden pump out a few more songs. They seemed very happy to be there and the small crowd they generated were into it I guess. A nice change of sound.

Now I have been trying to see PTM for years now. Ever since 2006’s Waiter: “You Vultures!” I have been trying to see what my friends called “one of the most unexpectedly amazing live bands I have ever seen.” Fair enough. After about three songs into their set, I was convinced.

The band is tight and extremely talented. They create perfect pop songs that blended pretty well with the bright and sunny 80 degree San Francisco weather we were having today. Their early 70’s throwback rock, R&B, and vintage soul with the latest innovations in melodious experimentation proved worthy for this sunny afternoon.
Portugal. The Man –
Dawn from Church Mouth (2007)

I had to book it to the Twin Peaks Stage in order to just catch the mighty Mastodon rock the fuck out. Another band I had missed several times, Mastodon brought it today. Opening with songs from this year’s Crack The Skye and gradually breaking into older material showed how the band had evolved as more than just a run-of-the-mill metal act.

The best part of this stage wasn’t just the band though, it was the random moshpits that were sprouting out of nowhere. This was both fun and aggravating for the crowd. I however, was loving it. Watching everyone’s reaction was great and seeing these metalheads clash with these uptight hipster punks was a sight to see. Anyway, Mastodon has a monster presence when they perform and seemed quite happy with the crowd’s enthusiasm. A nice addition being that none of the bands on this year’s line-up sound remotely like them.
Mastodon –
Crystal Skull from Blood Mountain (2006)

45 minutes later TV on the Radio performed their last set in a long time (according to them). With Kyp Malone’s much anticipated solo project Rain Machine going on tour soon and the band extensively touring for last year’s Dear Science, they are taking a long much deserved break.

So what we got today was a highly energetic and moving hour long set filled with many songs off the brilliant Dear Science and many lovely familiar tracks like Staring At The Sun and Wolf Like Me. They play fast and slow with an equal amount of passion, and it’s a treat to see both.
TV on the Radio –
Staring at the Sun (Woven Remix) from TVOTR Remixes (2004)

I have been a fan of The Mars Volta ever since their formation and had passed up seeing them live until tonight. Here I was, about to see one of my favorite bands of all time rip up the stage like I had dreamed a millions times before. Opening with Goliath off last year’s amazing The Bedlam in Goliath, lead vocalist Cedric Bixler-Zavala immediately jumped and flopped around on stage all the while still able to hit the high notes.

That’s not all. All within the first song he grabbed the sign displaying their band name on the side of the stage and began to beat the everliving crap out of it. Also, he laid chestdown on the stage and started grabbing the presses’ cameras and singing into them. All the while I was thinking, “If this is what will be going on for the next hour and half….AWESOME!” Well he didn’t exactly go apeshit the whole set but Cedric and the rest of the band were most definitely full of energy for the remainder of the show.

Playing a perfect balance from all five of their albums, including this year’s impressive Octahedron. My “Oh-shit-o-meter” went off the charts when they played my favorite songs off their 2003 masterpiece De-Loused in the Comatorium.

Singing along and freaking out, I came to the quick conclusion that this may be one of the best shows I had ever seen. Now four hours after the show, I’m still pretty certain that what I had just witnessed was not only the best of the festival (sorry Q-Tip), but one of my favorite shows of the year. We’ll see what tomorrow brings, but I’m pretty much sold.
The Mars Volta –
Cotopaxi from Octahedron (2009)
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So today worked out pretty well. Tomorrow is John Vanderslice, Modest Mouse, M.I.A., and Tenacious D! Maybe some other acts in the middle and earlier in the day. We’ll see.
Tags: EXTRA GOLDEN, Lands End stage, Mastodon, Portugal. The Man, San Francisco's Outside Lands Festival, The Mars Volta, tv on the radio, Zion I
Posted in Concerts, Music | 2 Comments »
Sunday, August 23rd, 2009

BIG week in the Bay. With several Outside Lands After-parties and the festival itself, there is no shortage of things to do here. Also a visit from Ted Leo, a record release party, and a country music legend stops by an unlikely venue.
Tonight we have The Matches playing the final date off their tour with Judgement Day and Dizzy Balloon at the Fillmore, Six Organs of Admittance and Master Musicians of Bukkake rock The Independent, Fleet Foxes drummer and creator of one of the best albums of 2009, J. Tillman stops by Café du Nord, Jay Reatard does a set at Berkeley’s Amoeba Records at 6pm.
Monday, Ted Leo and The Pharmacists hit up the Bottom of the Hill instead of Treasure Island which they originally intended.
Tuesday features Fruit Bats riding on their new record with Death Vessel at The Independent. The Ruminant Band is a beautiful record full of sweet harmonies and lovely song-writing. Pick it up when you get a chance. Also the amazing Ramona Falls play Café du Nord.
Wednesday will find me at The Fillmore watching dredg, Rx Bandits and As Tall as Lions. All of which have released some pretty impressive albums this year. Also going on is The Dodos and Spencey Dude & the Doodles playing the Rickshaw Stop to kick off Outside Lands fever. Oh yeah and it’s sold out. Bummer.
More Outside Landish shows on Thursday; Akron/Family and Howlin’ Rain crash the Rickshaw Stop and Holy Fuck plays The Independent. In addition, we have The Famous‘ Record Release Party at Café du Nord with 20 Minute Loop and Billy & Dolly.
If you’re not going to Outside Lands this weekend, we have the Outside Lands Afterparty with San Francisco local acts Goodbye Nautilus, The Working Title and Wave Array at Café du Nord.
On Saturday we have hip-hoppers Blue Sky Black Death, Boy in Static and Boy Eats Drum Machine at the Bottom of the Hill, Calexico at The Independent, The Pretenders and Cat Power at Mountain Winery in Saratoga, and country legend David Allan Coe at Petaluma’s Phoenix Theater.

Being joked as this year’s ‘Bro-chella’, Outside Lands Festival has many unimpressive acts but a lot of overlooked impressive acts. This year’s line-up includes; Incubus, Modest Mouse, Pearl Jam, Black Eyed Peas, Thievery Corporation, Tenacious D, Jason Mraz, Dave Matthews Band, TV on the Radio, The Mars Volta, M.I.A., Band of Horses, The National, Built to Spill, Bat for Lashes, Calexico, Tom Jones, Mastodon, Silversun Pickups, Los Campesinos!, Ween, Atmosphere, Brett Dennen, Deerhunter, Lucinda Williams, Os Mutantes, Q-Tip, John Vanderslice, Conor Oberst, Akron/Family, Portugal. The Man, Cage the Elephant, Alpha Blondy, Raphael Saadiq, Groundation, Kinky, Lenka, The Duke Spirit, Matt & Kim, Lila Downs, Autolux, The Avett Brothers, Robert Randolph & The Family Band, Dengue Fever, The Dirtbombs, The Dead Weather, Heartless Bastards, Midnite, Blind Pilot, Bettye LaVette, Tea Leaf Green, The Morning Benders, West Indian Girl, Darondo, Ryan Bingham, Zee Avi, Street Sweeper Social Club, Rosin Coven, Extra Golden, JJ Grey & Mofro, Nino Moschella, Conor Oberst & The Mystic Valley Band, Sambada, Reggie Watts, Trombone Shorty & Orleans Avenue, Big Light, Eric McFadden Trio, Loop!Station, Yard Dogs Road Show, Infantree, Vau De Vire and madd vibe orchestra. A lot to digest. Well I’ll be doing my best to report on everything I see every night when I return from the festival. Photos, mp3s, and everything else I did last year (if you caught that, if not, whatever).
This week is Outside Lands Week here at Kata Rokkar. So we’ll have Kuestionnaires with OLF bands and reports on local acts making their festival debuts. Hope to see you out there!
The Working Title –
The Crash from About-Face (2006)
Boy in Static –
Young San Francisco from Young San Francisco (2009)
Fruit Bats –
The Ruminant Band from The Ruminant Band (2009)
As Tall As Lions –
Sleepyhead (Acoustic Version) from You Can’t Take It With You (Bonus Track) (2009)
J. Tillman –
Steel on Steel from Vacilando Territory Blues (2009)
Ramona Falls –
I Say Fever from Intuit (2009)
Tags: Akron/Family, Alpha Blondy, As Tall As Lions, ATMOSPHERE, Autolux, BAND OF HORSES, Bat For Lashes, BETTYE LAVETTE, Big Light, BLACK EYED PEAS, BLIND PILOT, Boy in Static, BRETT DENNEN, BUILT TO SPILL, Cage The Elephant, CALEXICO, Conor Oberst, Conor Oberst & The Mystic Valley Band, Darondo, DAVE MATTHEWS BAND, Deerhunter, DENGUE FEVER, Eric McFadden Trio, EXTRA GOLDEN, Fruit Bats, Groundation, HEARTLESS BASTARDS, INCUBUS, Infantree, J. Tillman, JASON MRAZ, JJ GREY & MOFRO, john vanderslice, KINKY, LENKA, LILA DOWNS, Loop!Station, Los Campesinos!, Lucinda Williams, M.I.A., Mastodon, Matt & Kim, MIDNITE, Modest Mouse, Nino Moschella, OS MUTANTES, PEARL JAM, Portugal. The Man, Q-Tip, Raphael Saadiq, Reggie Watts, ROBERT RANDOLPH & THE FAMILY BAND, Rosin Coven, Ryan Bingham, Sambada, SILVERSUN PICKUPS, Street Sweeper Social Club, Tea Leaf Green, Tenacious D, The Avett Brothers, The Dead Weather, THE DIRTBOMBS, THE DUKE SPIRIT, The Mars Volta, The Matches, The Morning Benders, The National, The Working Title, THIEVERY CORPORATION, TOM JONES, TROMBONE SHORTY & ORLEANS AVENUE, tv on the radio, Vau De Vire and madd vibe orchestra., WEEN, WEST INDIAN GIRL, Yard Dogs Road Show, ZEE AVI
Posted in Music, This Week In Bay Area Live Shows | No Comments »
Monday, April 13th, 2009
PEARL JAM • DAVE MATTHEWS BAND • BEASTIE BOYS
INCUBUS • BLACK EYED PEAS • M.I.A. • JASON MRAZ • WEEN
THE MARS VOLTA • THIEVERY CORPORATION • MODEST MOUSE
BAND OF HORSES • TV ON THE RADIO • THE DEAD WEATHER • ATMOSPHERE
TOM JONES • SILVERSUN PICKUPS • ROBERT RANDOLPH & THE FAMILY BAND
THE NATIONAL • Q-TIP • BRETT DENNEN • BUILT TO SPILL • MASTODON
RAPHAEL SAADIQ • CALEXICO • OS MUTANTES • MIDNITE • JJ GREY & MOFRO
KINKY • DEERHUNTER • LILA DOWNS • TROMBONE SHORTY & ORLEANS AVENUE
THE DODOS • BETTYE LAVETTE • DENGUE FEVER • HEARTLESS BASTARDS
THE DIRTBOMBS • LENKA • AKRON/FAMILY • JOHN VANDERSLICE
MATT & KIM • PORTUGAL. THE MAN • THE MORNING BENDERS
THE DUKE SPIRIT • ZEE AVI • BLIND PILOT • SAMBADA
RYAN BINGHAM • WEST INDIAN GIRL • EXTRA GOLDEN
There you have it folks; one of the (many) reasons I love living near San Francisco. This is a quite an amazing line-up if you ask me. I’m actually very glad I decided not to go to Coachella this year.
I have never seen any of the headliners live, so I am most definitely excited about Pearl Jam and The Beastie Boys. Dave Matthews Band seems to be the “Jack Johnson” of the line-up to cater to the backwards ballcap bro-crowd.
I was always a fan of Incubus (a shock, I know) until they abandoned their trademark sound with A Crow Left of the Murder. Since then it’s been downhill for the band. So am I excited to see them?…kind of. But I doubt I’ll hear anything from S.C.I.E.N.C.E.
As for Black Eyed Peas and Jason Mraz, that will most likely land on “Dave Matthews Day” which will be my cue to wander around Golden Gate Park and Twitter the weird shit I see.
This will be my 2nd time seeing M.I.A. and TV on the Radio, both of which put on amazing live shows.
Indie-rock heroes Modest Mouse and Ween should be entertaining I guess. I got into both of them kind of late so I’ll be happy with whatever they decide to play.
I’ll finally get to see The National and Mastodon perform live. Both bands always seem to come to town on days I already have plans or have to work. Hopefully we won’t have any scheduling conflicts.
The hip-hop side of the festival is kind of weak. I’m no fan of Atmosphere but I am really looking forward to Q-Tip’s set. He’s only made my favorite hip-hop record of last year.
There’s some odd choices…like…uhh…Tom Jones? Jack White’s Dead Weather seems to be a band that will be forgotten about this time next year. The random toss of Thievery Corporation in the line-up seems kind of bizarre. I don’t see any other trip-hop acts in the line-up so I don’t know why they agreed to perform this year (why not Treasure Island Festival?).
The bottom of the list looks very promising with Portugal The Man, Akron/Family, The Dodos, John Vanderslice, and Heartless Bastards. Plus I’m sure I’ll discover some new acts that I’ve never heard of along the way.
All in all, it seems promising for a festival that is a 20 minute drive from my place. It gets kind of “Bro-chella” around the top, but I like what I see so far.
Anyone have any thoughts?
John Vanderslice – Trance Manual
Portugal. The Man – Out and In and In and Out

Band of Horses – Is There A Ghost
Tags: Akron/Family, ATMOSPHERE, BAND OF HORSES, BEASTIE BOYS, BETTYE LAVETTE, BLACK EYED PEAS, BLIND PILOT, BRETT DENNEN, BUILT TO SPILL, CALEXICO, DAVE MATTHEWS BAND, Deerhunter, DENGUE FEVER, EXTRA GOLDEN, HEARTLESS BASTARDS, INCUBUS, JASON MRAZ, JJ GREY & MOFRO, john vanderslice, KINKY, LENKA, LILA DOWNS, M.I.A., Mastodon, Matt & Kim, MIDNITE, Modest Mouse, OS MUTANTES, PEARL JAM, Portugal. The Man, Q-Tip, Raphael Saadiq, ROBERT RANDOLPH & THE FAMILY BAND, SAMBADA RYAN BINGHAM, SILVERSUN PICKUPS, The Dead Weather, THE DIRTBOMBS, The Dodos, THE DUKE SPIRIT, The Mars Volta, The Morning Benders, The National, THIEVERY CORPORATION, TOM JONES, TROMBONE SHORTY & ORLEANS AVENUE, tv on the radio, WEEN, WEST INDIAN GIRL, ZEE AVI
Posted in Concerts, Music, News | 1 Comment »