Posts Tagged ‘Cymbals Eat Guitars’

Kata Rokkar’s Pictures of 2009

Tuesday, December 22nd, 2009

The Flaming Lips at Treasure Island Music Festival 2009

The Flaming Lips at Treasure Island Music Festival 2009

J. Tillman at Cafe Du Nord

J. Tillman at Cafe Du Nord

The Raveonettes at Bimbos 365

The Raveonettes at Bimbo's 365

The Mae Shi at House of Nostromos

The Mae Shi at House of Nostromos

theSTART at The Bottom of the Hill

theSTART at The Bottom of the Hill

Triclops! at The Bottom of the Hill

Triclops! at The Bottom of the Hill

Dan Deacon at The Great American Music Hall

Dan Deacon at The Great American Music Hall

Cymbals Eat Guitars at The Great American Music Hall

Cymbals Eat Guitars at The Great American Music Hall

Q-Tip at Outside Lands Music Festival 2009

Q-Tip at Outside Lands Music Festival 2009

Fanfarlo at Popscene

Fanfarlo at Popscene

The Walkmen at Treasure Island Music Festival 2009

The Walkmen at Treasure Island Music Festival 2009

Thao with The Get Down Stay Down at Treasure Island Music Festval 2009

Thao with The Get Down Stay Down at Treasure Island Music Festval 2009

Lenka at Outside Lands Music Festival 2009

Lenka at Outside Lands Music Festival 2009

Passion Pit at Treasure Island Music Festival 2009

Passion Pit at Treasure Island Music Festival 2009

Sleepy Sun at The Independent

Sleepy Sun at The Independent

Tenacious D at Outside Lands Music Festival 2009

Tenacious D at Outside Lands Music Festival 2009

The Limousines at Treasure Island Music Festival 2009

The Limousines at Treasure Island Music Festival 2009

Band of Skulls at Bimbos 365

Band of Skulls at Bimbo's 365

Kata Rokkar’s Albums of 2009: #50 – #26

Wednesday, December 16th, 2009

There’s a distinct difference between ‘best albums of the year’ and ‘favorite albums of the year.’ Who am I to say what is the ‘best’ album? What makes an album better than the other? You’ve probably already figured out that I’m trying to say that music taste is subjective. The past 12 months have probably been one of the better years in music in a while. There were albums that defined genres (Merriweather Post Pavilion), albums that reinvented the bands sound (The Hazards of Love), albums that majorly disappointed (Mama, I’m Swollen), and albums that became a sign of what’s to come with ‘popular’ music (Twilight New Moon: Soundtrack).It’s time to break down the albums that rocked me this fine year.

Click on the album art to purchase the album:

50. Yeah Yeah Yeahs – It’s Blitz!

They have redeemed themselves and returned with a more fun vibe that we all knew was coming.

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Yeah Yeah Yeahs- Dull Life from It’s Blitz! (2009)

49. J. Tillman – Vacilando Territory Blues

The sounds of a wet and foggy forest were perfectly captured and projected with J. Tillman’s most vulnerable record to date. Country-side driving will never be the same.

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[mp3] J. Tillman – Vessels from Vacilando Territory Blues (2009)

48. Band of Skulls – Baby Darling Doll Face Honey

I found myself rocking pretty hard in the car alone to this amazing rock and roll record. Oozing sexuality and a pent-up frustration to destroy. One the most fun records of the year.

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[mp3] Band of Skulls – Blood from Baby Darling Doll Face Honey (2009)

47. Neko Case – Middle Cyclone

http://www.amazon.com/Middle-Cyclone-Neko-Case/dp/B001MWGZDG/ref=sr_1_1?ie=UTF8&s=music&qid=1260855897&sr=8-1

Besides having one of the most bad-ass covers of all time, Neko Case created a hurricane of an album that will carry you away in her embrace. Let her take you.

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Neko Case – This Tornado Loves You from Middle Cyclone (2009)

46. The Mars Volta – Octahedron

Could it be that I have a hard-on for The Mars Volta? Probably. But after a handful of songs and records that made me wonder what the fuck they were doing, finally The Mars Volta mixes their bizarre nature and progressive sound and makes something substantial. A grower, but boy does it grow into something amazing.

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The Mars Volta - Teflon from Octahedron (2009)

45. Iron & Wine – Around the Well

Sure most of these songs were recorded years ago, but this compilation from Sam Beam were meant to be released this way. It flows just like a normal Iron & Wine album should…subtle and sweet.

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[mp3] Iron & Wine – Waitin’ for a Superman from Around the Well Disc 1 (2009)

44. Passion Pit – Manners

BOOM! This album made remixers piss themselves in delight and put Boston back on the map as one of the premiere spots for good music that gets you moving.

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Passion Pit – Moth’s Wings from Manners (2009)

43. Foreign Born – Person To Person

If my drive along the Northern Pacific Coastline had an official soundtrack, Person To Person would be it. The harmonies and swirling guitars along with the Walkmen-like vocals and lyrics is just a taste of what this brilliant album has to offer.

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[mp3] Foreign Born – Early Warnings from Person to Person (2009)

42. Raekwon – Only Built For Cuban Linx, Pt. II

Turn it up and make the world know that we all need is more Wu. Flows like this haven’t been heard in years, it’s been a long time coming.

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Raekwon – New Wu Ft Ghostface Method Man from Only Built 4 Cuban Linx PT II (2009)

41. The Decemberists – The Hazards of Love

I hated this record to no end when I first heard it. I missed my Decemberists. It was only after a few more full listens that I realized that they belong to no one and that this may be the Decemberists that was meant to be. You know what? I’m fine with that.

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[mp3] The Decemberists - The Rake’s Song from The Hazards of Love (2009)

40. Message to Bears – Departures

Multi-instrumentalist Jerome Alexander’s Departures is a series of bittersweet articulations that seem suspended somewhere between a certain dreamy sense of wonder and awe and a heavy melancholia. It’s a haunting piece of work. Listen carefully.

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[mp3] Message to Bears – At the Top of This Hill from Departures (2009)

39. Akron/Family – Set ‘Em Wild, Set ‘Em Free

This actually might be their best and most accessible record to date. The experimental folk group brought in all the stops and made the feel-good record of the year.

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[mp3] Akron/Family – River from Set’em Wild, Set’em Free (2009)

38. Russian Circles – Geneva

Someone told me, “You won’t see it coming, this record melts your face and freaks you out all within an hour.” He couldn’t be more right. It goes from hauntingly intense to magnificent beauty to uncharted territory for a group known to shred your ears to pieces.

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[mp3] Russian Circles – Malko from Geneva (2009)

37. Wilco – Wilco (The Album)

A charming record that may not get the appreciation it deserves. The songwriting is as solid as it usually is from Tweedy and the tongue-in-check manner of delivery remains intact. This was just their ‘entertainment’ record and boy did they hit their mark.

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Wilco – Deeper Down from Wilco (The Album) (2009)

36. Dan Deacon – Bromst

A strobe light of colors and manic sound that solidifies Dan Deacon as the king of spastic, high energy dance music. Hidden in this insane finger-painting of a record gone mad, is a layered and perfected album. All hail the king!

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Dan Deacon – Woof Woof from Bromst (2009)

35. Cymbals Eat Guitars – Why There Are Mountains

Oh yes, I was so happy to hear that beautiful 90s alt-punk throwback sound. If they had come out a decade an a half earlier, they would be know as genre defining geniuses. However, they are stuck here in the 21st century and forced to remind us that simple and loud music used to be enough for us. [See early Modest Mouse / Diary-era Sunny Day Real Estate]

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Cymbals Eat Guitars – And the Hazy Sea from Why There Are Mountains (2009)

34. The Swell Season – Strict Joy

I was afraid they were going to piss this album away into Once Part II. Phhhh, I should have known better, These people know what they’re doing. Strict Joy is just as touching as their last, but in a different sense.

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The Swell Season – The Rain from Strict Joy (2009)

33. Irepress – Sol Eye Sea I

Okay, bizarre artwork aside [four armed purple ping-pong monster?], this record is the shit. Heavy and drastically unique, Sol Eye Sea I is a brutal rocket launch on the senses. Pushing and pulling with pure metal complexity. So awesome.

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[mp3] Irepress – Rhintu from Sol Eye Sea I (2009)

32. The xx – XX

Probably the one of the most overhyped records of the year. Although, this is all for good reason. The intro to the record is actually my favorite of all time. Yes, of all time. The chill atmosphere with male/female vocals in this R&B / new wave manner caught me off guard. Thank God for that.

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[mp3] The XX – Crystalised from XX (2009)

31. Why? – Eskimo Snow

Yoni Wolf goes Americana psych-folk? Sure! Why not? Everything this guy touches is gold anyway. Each song is a detailed story that doesn’t leave the listener one bit disappointed. While not a good ‘entry’ album, Eskimo Snow might be Yoni’s greatest songwriting achievement.

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[mp3] Why? – This Blackest Purse from Eskimo Snow (2009)

30. dredg – The Pariah, The Parrot, The Delusion

Fans of the band were divided and I’m still not totally sure what happened with this album. However, dredg is undeniably comfortable with this new direction they’re heading toward. I had to step back a few times and realize that one needs to let go in order to enjoy this album. PPD is a long, intricate and personal record; listen carefully.

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dredg – Pariah from The Pariah, The Parrot, The Delusion (2009)

29. Volcano Choir – Unmap

I did not see this coming from Bon Iver’s Justin Vernon. Layered with painstaking detail and emotional prowess, Unmap may be too much for some people. For me, it was just right.

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[mp3] Volcano Choir – Island, IS from Unmap (2009)

28. Bibio – Ambivalence Avenue

I love how colorful and blinding this album gets at times. I am immediately reminded of Boards of Canada, but more upbeat and cartoonish. I thought I knew this record before I wore some nice headphones…boy was I wrong.

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Bibio – Fire Ant from Ambivalence Avenue (2009)

27. Noah And The Whale – The First Days Of Spring

I usually dislike ‘break-up’ records when I’m no longer going through times like that. But this is beyond your normal story of woe-is-me heartbreak sob story. This an entertaining story that forces the listener to care about the ‘character’ involved in this story. The lush percussion, carefully picked guitars, and string arrangements briskly guide the listener to feel loneliness, hope, and rebirth. An amazing achievement of a record.

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[mp3] Noah And The Whale – Blue Skies from The First Days Of Spring (2009)

26. Various Artists – Dark Was The Night

Dark Was The Night, the best indie music compilation ever, was produced by Aaron and Bryce Dessner of The National and founder of the Red Hot Organization John Carlin. 31 exclusive tracks graces this record from Bon Iver to Spoon, Sufjan Stevens to Arcade Fire. In addition, the double cd/triple viny helped benefit the Red Hot Organization – an international charity dedicated to raising funds and awareness for HIV and AIDS.

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Grizzly Bear and Feist – Service Bell from Dark Was The Night (Disc 1) (2009)

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show review: Cymbals Eat Guitars at The Great American Music Hall

Thursday, September 24th, 2009

I really like this band. Maybe it’s because they remind me of listening to early post-hardcore acts like Sunny Day Real Estate, Mineral and Texas Is The Reason in their prime. Which was quite a bit what it was like to witness Cymbals Eat Guitars perform.

While it was a short set and the crowd (at first) was thin, the level of intensity projected from Staten Island’s own Cymbals Eat Guitars was something to behold. The ‘not your average’ indie rock quartet features your fair share of sophisticated atmospheric instrumentals and out-of-control mathmatic time signatures with passionate and mad-as-fuck vocals. This is all thanks to 20-year-old guitarist/singer Joseph D’Agostino.

The guy displays an onstage intensity that makes the experience even more intimate. It seems as though he bares all not only through his intensive vocals but his high energy; jumping and playing his guitar like he’s been holding in this music for years and finally gets to share it with complete strangers. The band itself almost seem at the will of Joseph’s performance and try their damndest to catch up at times.

This doesn’t at all affect the experience whatsoever, just something I noticed. The songs on the band’s self-released first album, Why There Are Mountains, which will be re-released September 29th, served as the majority of Friday’s set. The album translates well live and impressed the crowd (consisting mostly of The Pains of Being Pure at Heart fans) that a band at such a young age could display this level of skill.

Someone even yelled, “How friggin’ old are you?” The set closed with the vocal-hurricane Wind Phoenix and left the crowd and myself hopeful that this band will further prove that on-stage organized chaos is possible.

Cymbals Eat Guitars Wind Phoenix from Why There Are Mountains (2009)